This Floating Poo Was Far Too Symbolic! It's the Television Letdowns of the Past Year.

As we consider the TV offerings of the recent year, a handful of shows emerge not for their excellence, but for their spectacular failures. Ranging from cringe-inducing spin-offs to confusingly bad documentaries, here are the productions that left us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Plagued with dreadful scripts, painful character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to justify its existence. For a moment, as the final series began, it seemed as if it had finally hit its stride. Then came an episode centered on Seema’s natural deodorant. Little surprise the showrunner announced this would be the final season. It concluded on a low point; the lingering shot of Miranda’s loo full of poo was simply too symbolic. Yet, fans undeniably found joy picking apart every single “wtf?” moment. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who couldn't let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's problems. The recipient of a very rare no-star assessment, it was hard to know where to start enumerating the problems. The laughably wooden writing? The tedious glorification of affluence and consumption? The almost wilful procession of cliches? Performances so bad they felt borderline malicious? Suffice it to say “all of the above” and never speak of this series again. Except, a new season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the restraining orders, abuse allegations and parental failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this three-part documentary which smirked its way at Sheen’s various bouts of self-destructive excess while struggling to tell us a single thing we didn’t already know. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this series might induce should be saved for the people who have had to suffer proximity with this charismatic but dismissive narcissist.

The Supercomputer Drama

Of course we understood it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure love for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy figures convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the embarrassment of having to accommodate baffling accents. But there were plenty of other problems. Mainly that it was just really dull; a conflict over narcotics territory between various cockney rogues which seemed a bit basic.

With Love, Meghan

Considering the extent to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s various forays into twee lifestyle as deliberate statements. But then you watch them and are forced to concede that in this case, they may have a point. It’s like watching a homeware catalogue animated; a poster for evening drinks with ideas of grandeur; a procession of snoozing dogs, humming beehives, Hallmark sayings and forgettable crafting “hacks” you’ll not remember instantly. All supported by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about both Victoria Beckham and her struggles with vocation, identity, self-worth. But for whatever reason, this three-part series chose not to say them. Instead, the experience was akin to reading a sales brochure. She obviously has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this cagey non-event of a series.

The Inheritance

It should have been the next big hit – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The show ended up smelling of a production that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How does one follow a show that defined a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the abundance of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart inclusion of gifted emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too ready to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right voice, lurching from strangely breezy, slightly mannered farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a discovery that could destabilise society? Nope! This globe-trotting thriller about secret services targeting – and killing off – intellectuals honestly got more farcical by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality notorious for sexual escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we wanted was far greater interrogation of her actual psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to haul her son away from the queue. What we got was disturbing shots and absolutely no interrogation of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.

Jeremy Daniels
Jeremy Daniels

A digital strategist with over a decade of experience in tech consulting and innovation management across European markets.

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